Moirétics Print Release with Oliver Cole Gallery
  •

    "VITRUVIUS" Gicleé Prints

    Explore

  • "VESUVIUS" Gicleé Prints

    Explore

  • Explore the full collection

    Explore
Hand Embellished Prints- That's a Moiré
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60
  • That's a Moiré: 1-60

That's a Moiré: 1-60

Regular price $1,500.00
Edition Number:

Premium Metal Prints:

    New Releases in Archival Cotton Paper:

      Monthly Newsletter

      Enter your email address below

      Receive early access to new releases and more.

      Artist Statement

      My work explores perception and consciousness as unstable, oscillating experiences. How we move in and out of awareness without noticing it. By combining layers of subtly curved lines, I explore how images emerge through repetition and distance rather than through a literal, direct representation. The act of painting becomes a kind of indirect authorship. I cannot fully control the outcome, only influence it through subtle shifts in curvature and color. It feels like working between dimensions, or painting in the second person, guiding the process from a removed vantage point, pulling the strings while remaining separate from the result. Rather than composing patterns directly, I establish conditions through which new patterns can emerge. 

      Upon viewing a finished work, the viewer’s focus oscillates between the mundane movement of individual lines and the shocking moiré that is formed as a result of hundreds of layered lines. The final result exists somewhere between intention and inevitability, consciousness and surrender. It reflects how perception actually works. It’s fragmented, indirect, and constantly shifting. It’s how I make sense of being here.

      ENZO PRINA